Here a short description:
This compelling film represents a rare record of an original genius. In Jung on Film, the pioneering psychologist tells us about his collaboration with Sigmund Freud, about the insights he gained from listening to his patients’ dreams, and about the fascinating turns his own life has taken. Dr. Richard I. Evans, a Presidential Medal of Freedom nominee, interviews Jung, giving us a unique understanding of Jung’s many complex theories, while depicting Jung as a sensitive and highly personable human being. Continue reading Stephen Segaller – Jung on film (1957)
This evocative tribute to the mother of American avantgarde film calls forth the spirit of one who was larger than life as recounted by those who knew her. Friends and contemporaries float through her homes, recalling in tiny bits and pieces words of Deren’s architectural and personal interior space. Clips from her films are projected back into the spaces where they were originally filmed. Fluid light projections of intimate space provide an elusive agency for a filmmaker most of us will never know.”
BERLINALE Continue reading Barbara Hammer – Maya Deren’s Sink (2011)
Das magische Band – West Germany 1959, 21 min.
Directed by: Ferdinand Khittl
Written by: Bodo Blüthner, Ferdinand Khittl, Ernst von Khuon
Cinematography by: Ronald Martini
Music by: Oskar Sala
Edited by: Irmgard Henrici
Cast: Margot Trooger, Ferdinand Khittl
Produced by: Gesellschaft für bildende Filme, München
One of the 3 short films that came as an extra on Edition Filmmuseum 47: Die Parallelstrasse AKA The Parallel Street (Ferdinand Khittl, 1962).
An innovative documentary on magnetic tape & sound recording, sort of in the style of Charles and Ray Eames. Continue reading Ferdinand Khittl – Das magische Band AKA The Magic Tape (1959)
Measuring Change consists of two shots, which run for about 30 minutes each. The camera is completely still and its placement seems to be exactly the same for both. The film revisits Robert Smithson’s Spiral Jetty, his landmark 1970 sculptural work on the northeast shore of the Great Salt Lake, which the director had already interacted with in Casting a Glance (2007). The filmmaker seemingly repeats the vantage point of one of the shots he made ten years before, allowing the jetty to spiral towards the center of the frame. Yet, there are two major differences. While Casting a Glance was shot on 16mm, and dealt with the durational limitations of the film reel, Measuring Change is shot on digital, which allows one to watch Smithson’s work through Benning’s camera for a much longer period of time (in the Q&A after the screening, he mentioned that he actually prefers the digital image over film – something one doesn’t hear often coming from filmmakers). The other difference is that this time the lake has receded so far back that the Smithson’s piece is completely surrounded by land, while the shore gets lost in the horizon. Continue reading James Benning – Measuring Change (2016)
An Anthropological Television Myth is an excuse to introduce television anthropology into the culture debate, reading the history of a country and its people through the archives of hundreds of private TV stations scattered throughout Italy.
MUBI’s take wrote:
A great example of how seemingly mundane footage can be reused to create a work of social importance, this exercise in visual history-telling uses a medium representative of popular culture as a tool for the reading of social movements and citizen engagement in a Sicilian city. Continue reading Maria Helene Bertino & Dario Castelli & Alessandro Gagliardo – Un mito antropologico televisivo AKA An Anthropological Television Myth (2012)
…the “crypto-documentary” by Gianfranco Angelucci amd Liliana Betti E il Casanova di Fellini? (And Fellini’s Casanova?) made for the RAI, in which Federico submits some friends to a screen test for the part of Casanova: Mastroianni, Tognazzi, Gassman, Alain Cuny and an exhilarating Alberto Sordi deeply involved in the part. Continue reading Gianfranco Angelucci & Liliane Betti – E il Casanova di Fellini? aka And Fellini’s Casanova? (1975)
Another mammoth-project with the “chronologist of our time” Alexander Kluge. With 12 hours film, Gelpke and Kluge try to get a better understanding of the new human, which arouse from the internet, artificial intelligence…. Like his last projects, this films are complilations of many fragments, shorts, fiction-interviews, opera, theatre etc. Continue reading Alexander Kluge, Basil Gelpke – Mensch 2.0 (2011)